Notable Books: Russian Titles in English Translation, 2009-2019

The impetus for creating this post came from a recent Twitter discussion. We at Punctured Lines decided to accept a dare and came up with a list of notable Russian titles available in English translation from the last decade. This has been an opportunity to take stock of the years 2009-2019, both to remember the books we’ve read and to look back at those that we might have missed.

In this task, we relied heavily on Lisa Hayden’s blog, Lizok’s Bookshelf, where Lisa keeps chronological track of the English translations – our deep gratitude for creating and maintaining this resource. Our methodology for choosing among all those works was based on several factors. Rather obviously, for our purposes we only considered works by women. We also wanted to highlight writers whose names may not be very familiar to English-speaking readers but whose work we feel deserves wider exposure and shows the range of contemporary Russian women’s literature.

For this reason, we chose not to include writers who are well-known in the Anglophone world, but of course we love them too. We note proudly the women whose work has been translated into English numerous times: Anna Akhmatova, Svetlana Alexievich, Eugenia Ginzburg, Ludmilla Petrushevskaya, Dina Rubina, Olga Slavnikova, Marina Tsvetaeva, Ludmila Ulitskaya, and Tatyana Tolstaya (whose problematic views on women and feminism may be less known).

One or both of us have read many of titles below, and we’re happy to report that the field is larger than our reading capacity. We included a few books we haven’t read because they sparked our curiosity and to encourage ourselves and our followers to return to these publications. An important factor for consideration was translators whose work we’re interested in. Here we would like to say a huge thank you to translators for their often unacknowledged efforts that allow English speakers to know Russian literature.

Our list has four categories: Contemporary Prose, Contemporary Poetry, Recent Translations of Earlier Prose Works, and a rather catch-all Drama, a Graphic Novel, and an Anthology. The titles in each category are given chronologically by year of the translation. This list reflects our personal opinions and is in no way meant to be comprehensive or conclusive. We welcome your comments and suggestions about these and other titles by Russian women who you think should be on this list. This is, hopefully, the beginning of that conversation.

Contemporary Prose

Elena Chizhova, The Time of Women, translated by Simon Patterson and Nina Chordas; Glagoslav, 2012. 

Linor Goralik, Found Life: Poems, Stories, Comics, a Play, and an Interview, edited by Ainsley Morse, Maria Vassileva, and Maya Vinokur; Columbia University Press, 2017.

Ksenia Buksha, The Freedom Factory, translated by Anne Fisher; Phoneme Media, 2018.

Alisa Ganieva, Bride and Groom, translated by Carol Apollonio; Deep Vellum, 2018.

Margarita Khemlin, Klotsvog, translated by Lisa C. Hayden; Columbia University Press, 2019.

Guzel Yakhina, Zuleikha, translated by Lisa C. Hayden; Oneworld Publications, 2019.

Contemporary Poetry

Anzhelina Polonskaya, Paul Klee’s Boat, translated by Andrew Wachtel; Zephyr Press, 2012. 

Polina Barskova, Anna Glazova, and Maria Stepanova, Relocations: Three Contemporary Russian Women Poets, translated by Catherine Ciepiela, Anna Khasin, and Sibelan Forrester; Zephyr Press, 2013.

Maria Rybakova, Gnedich, translated by Elena Dimova; Glagoslav, 2015.

Inna Kabysh, Blue Birds and Red Horses, translated by Katherine E. Young; Toad Press, 2018.

Aigerim Tazhi, Paper-Thin Skin, translated by James Kates; Zephyr Press, 2019.

Olga Livshin, A Life Replaced: Poems with Translations from Anna Akhmatova and Vladimir Gandelsman, Poets & Traitors Press, 2019.

Recent Translations of Earlier Prose Works

Teffi, Memories: From Moscow to the Black Sea, translated by Robert Chandler and Elizabeth Chandler, Anne Marie Jackson, and Irina Steinberg; NYRB Classics and Pushkin Press, 2016.

Sofia Khvoshchinskaya, City Folk and Country Folk, translated by Nora Seligman Favorov; Columbia University Press, 2017.

Olga Berggolts, Daytime Stars: A Poet’s Memoir of the Revolution, the Siege of Leningrad, and the Thaw, translated by Lisa A. Kirschenbaum; University of Wisconsin Press, 2018.

Doba-Mera Medvedeva, Daughter of the Shtetl: The Memoirs of Doba-Mera Medvedeva, translated by Alice Nakhimovsky; Academic Studies Press, 2019.

Karolina Pavlova, A Double Life, translated by Barbara Heldt; Columbia University Press, 2019.

Irina Odoevtseva, Isolde, translated by Bryan Karetnyk and Irina Steinberg; Pushkin Press, 2019.

Drama, a Graphic Novel, and an Anthology

Yaroslava Pulinovich, Olga Rimsha, Ksenia Stepanycheva, Ekaterina Vasilyeva, Russian Drama: Four Young Female Voices, translated by Lisa Hayden; Glas, 2014.

Victoria, Lomasko, Other Russias, translated by Thomas Campbell; Penguin and n+1, 2017.

Teffi, Marina Tsvetaeva, Anna Akhmatova, Lydia Ginzburg, Galina Scherbakova, Ludmila Ulitskaya, Svetlana Alexievich, Olga Slavnikova, Irina Muravyova, Ludmila Petrushevskaya, Margarita Khemlin, Slav Sisters: The Dedalus Book of Russian Women’s Literature, edited by Natasha Perova; Dedalus, 2018.

English PEN Translates Awards 2019

Punctured Lines congratulates Lisa Hayden, whose profile we featured on the blog previously, for being among the winners of the English PEN Translates award for her translation ofThree Apples Fell from the Sky by Narine Abgaryan from Armenia (the novel is written in Russian). The translation is forthcoming from Oneworld in May 2020.

“‘English PEN has long argued for the broadest possible internationalism in our publishing world, not as a niche interest or a luxury, but as a cultural necessity,’ Daniel Hahn, Chair of the PEN Translates Selection Panel, said. ‘With each round, this our fifteenth, PEN Translates receives an ever-greater number of more competitive, more promising, more diverse submissions, from terrific publishers of all sizes who, even in a risk-averse business, continue to look out at the world with ambition.'”

The complete list of the winners, including for translations from Georgia and Bulgaria, is here: http://georgiatoday.ge/news/18853/One-of-20-PEN-Translates-Awards-Goes-to-a-Title-Translated-from-Georgian

The NOS(E) Award’s 2019 Longlist

Thank you, as always, to Lisa Hayden of Lizok’s Bookshelf for keeping us all up to date on prize-related announcements. We are happy to share the list here, particularly as it contains her very helpful, and entertaining, descriptions of the nominated works. Less happy is the subject we’ve talked about previously on this blog (and which, in the wake of the Nobel, some of us have debated in a – let’s go with “spirited” – manner on Twitter): of the sixteen titles, only three are by women. While no one in their right mind would suggest that gender should be the sole criterion for anything, really, there is a real issue with Russian literary prizes being overwhelmingly skewed toward male writers (googling the major award winners will confirm this in short order). This is not meant as a slight to any of the men on the list, but it is a question that needs to be asked, over and over, until we arrive at a workable solution: how do we honor good writing whoever the writer may be while at the same time ensure more balanced representation in terms of nominations and winners? Suggestions welcome; perhaps someone can forward them to the Russian prize committees.

http://lizoksbooks.blogspot.com/2019/10/the-nose-awards-2019-longlist.html

USSR’s Impact on the lives of Muslim Women in Central Asia

Here’s a fascinating study about the role that the Soviet Union played in the lives of Muslim women from Central Asia. This was filed by Özge Öz Döm, a scholar at Yildirim Beyazit University in Anakara, Turkey. Her thesis is that “even though the Soviet officials had a genuine intention for the emancipation of Central Asian women from the patriarchal structure both in the public and private spheres of life, the policies and their implementation were shaped in accordance with the basic motive of regime survival. In the first years of the Soviet regime, mostly ideological intentions shaped the women’s emancipation project. However, in time, the Soviet officials needed to make more reforms in the political, economic and socio-cultural areas not just for the ideological aims such as emancipation of the women, but also for the survival of the Soviet Union.”

Muslim Women in Central Asia

In fiction, I have seen this conflict reflected most directly in Guzel Yakhina’s novel, Zuleikha, recently translated to English by Lisa Hayden. This history also provides useful context for Akram Aylisli‘s work, in particular his trilogy from the 1960s, People and Trees (I read this book in Russian under the title Люди и деревья).

The researcher makes a point in this paper that seems relevant for Punctured Lines: “The studies about women in the Soviet and post-Soviet eras are mostly concerned with the European parts of the Soviet Union, and neglect the Muslim women under Soviet rule. Therefore, the first problem related to the literature regarding Central Asian women is that there are insufficient numbers of studies regarding this area; and the second problem is that the Western scholars studying this subject sometimes fail to understand the meaning of Islamic based customs and traditions to Central Asian women as well as men. So, this study also attempts to make a contribution to gender studies literature regarding Central Asian women “

2019 Warwick Prize in Translation, Long List

We congratulate Lisa Hayden, whose translation of Guzel Yakhina’s novel Zuleikha has been included among thirteen books longlisted for the third annual award of the Warwick Prize for Women in Translation. We love this book and we are delighted with this news.

Read the full announcement here.

The list of longlisted titles, in alphabetical order, is as follows:

· Brother In Ice by Alicia Kopf, translated from Catalan by Mara Faye Lethem (And Other Stories, 2018)

· Convenience Store Woman by Sayaka Murata, translated from Japanese by Ginny Tapley Takemori (Granta, 2018)

· Disoriental by Négar Djavadi, translated from French by Tina Kover (Europa Editions, 2018)

· Drive Your Plow Over the Bones of the Dead by Olga Tocarczuk, translated from Polish by Antonia Lloyd-Jones (Fitzcarraldo Editions, 2018)

· Katalin Street by Magda Szabó, translated from Hungarian by Len Rix (Maclehose Press, 2019)

· Negative of a Dual Photograph by Azita Ghahremann, translated from Farsi by Maura Dooley with Elhum Shakerifar (Bloodaxe, 2018)

· People in the Room by Norah Lange, translated from Spanish by Charlotte Whittle (And Other Stories, 2018)

· Picnic in the Storm by Yukiko Motoya, translated from Japanese by Asa Yoneda (Little, Brown Book Group (Corsair), 2018)

· Season of the Shadow by Léonora Miano, translated from French by Gila Walker (Seagull Books, 2018)

· Shadows on the Tundra by Dalia Grinkevičiūtė, translated from Lithuanian by Delija Valiukenas (Peirene, 2018)

· The Years by Annie Ernaux, translated from French by Alison L. Strayer (Fitzcarraldo Editions, 2018)

· Thick of It by Ulrike Almut Sandig, translated from German by Karen Leeder (Seagull Books, 2018)

· Zuleikha by Guzel Yakhina, translated from Russian by Lisa C. Hayden (Oneworld, 2019)

Lizok’s Bookshelf: Yasnaya Polyana Finalists, 2019

Previously, we posted Lisa Hayden’s blog post about the longlist for this prize, noting the gender disparity in terms of who is nominated for and, especially, awarded Russia’s literary prizes. The shortlist just came out and out of the six nominees, one is a woman. Of course, no one is suggesting nominations and/or awards should be based on gender alone nor is this meant to disparage the quality of the other nominated titles in any way. But it is important to note the imbalance, and even more so, to keep asking what can be done about it.

http://lizoksbooks.blogspot.com/2019/09/yasnaya-polyana-finalists-2019.html

Profile of Lisa Hayden

One of our star translators from Russian got a lovely write-up in the Portland Press Herald. Personally, I first came to know Lisa through her amazing blog, dedicated to Russian literature, Lizok’s Bookshelf. It’s somehow wonderful to learn that Lisa grew up in a town called Norway, Maine. That’s such a big name for a town, and I’ve always wondered what it’s like to grow up in these places that are named after other places. (I say this, having spent considerable amount of time in my childhood thinking about Lenin’s relationship with Leningrad.)

Hayden grew up mostly in Norway, in Oxford County, where her family moved from New Hampshire when she was about 9. She first became interested in Russia and Russian history as a child because of stories published in Jack and Jill magazine based on the Russian fairy tale Baba Yaga. Baba Yaga is a Slavic folklore tale about a “grandmother witch” who lives deep in the forest and is not very good, but is not entirely evil.


When she was in the sixth grade, Hayden read her first English translation of Russian literature, a short story called “The Bet” by Anton Chekhov.

To learn more about Lisa Hayden, read the story here.