Virtual Happy Hour of writers with the former Soviet Union connection

This week AWP, or Association of Writers and Writing Programs, is holding its annual conference in San Antonio, TX. Many of the attendees, however, have opted to stay home due to the increased risk of the corona virus outbreak. An important component of this conference is a massive book fair, at which hundreds of independent presses and literary journals sell their stock. To compensate for the losses of this already financially strained community, people are organizing several initiatives.

First of all, there’s #AWPVirtualBookfair Twitter hashtag, under which you will find links to lots of publishers who are offering significant discounts of their stock. Trevor Ketner started the #AWPVirtualBookfair Google Doc, where you can find a comprehensive list of participating publishers, and Natalie Eilbert creating the AWP Virtual Bookfair for Authors Doc. Justin Greene created a handy list of publishers on Entropy, that includes the discount codes. Point being: the best way to support literary arts and independent publishing is to buy our books.

One of my plans for this conference was to co-host a happy hour for writers and translators working on material related to the former Soviet Union. Unfortunately, both my co-host Olga Livshin and I decided to cancel, as did most of the people we hoped would take part. I envisioned that this happy hour would help us, in part, to build a sense of community and help us brainstorm ways in which we can support each other’s work. So, in that spirit, here is an image gallery followed by a list of these titles with links, where you can buy the books.

Gala Mukomolova, Without Protection, from Coffee House Press

Irina Reyn, Mother Country, from St. Martin’s Publishing Group

Julia Kolchinsky Dasbach, Don’t Touch the Bones, from Lost Horse Press

Olga Livshin, A Life Replaced, from Poets & Traitors Press

Olga Zilberbourg, Like Water and Other Stories, from WTAW Press

Katherine E. Young, Day of the Border Guards, The University of Arkansas Press

Larissa Shmailo, Sly Bang, from Spuyten Duyvil

Marina Blitshteyn, Two Hunters, from Argos Press

Mariya Deykute, her website

Mary Jane White, Starry Sky to Starry Sky, from Holy Cow! press

Ruth Madievsky, Emergency Brake, from Tavern Press

Valzhyna Mort, Music for the Dead and Resurrected, from FSG

* If you don’t see a book that you wish to be included, please leave a comment!

Looking Back on Our First Event: Participatory Reading in Post-Soviet Literatures, in Pictures

On November 25th, Punctured Lines hosted our first literary event in San Francisco. Thanks to a conference that brought to San Francisco scholars, translators, and writers in Slavic, East European, and Eurasian Studies, we were able to gather a star list of participants. A few of the readers have appeared in Punctured Lines, and we certainly hope to feature more of their work. Following the scheduled portion of the event, we hosted an open mic that turned out to be a great crowd-pleaser. Below are the pictures we captured that night and brief descriptions of everyone’s contributions.

Shelley Fairthweather-Vega opened with an excerpt from her recently published translation of Talasbek Asemkulov’s novel A Life at Noonavailable for purchase here. A story about a musician growing up in Soviet Kazakhastan and learning his art form from his father.

Yelena Furman read the opening from her short story “Naming,” recently published in Narrative Magazine, and available in full online (free, with free registration required).

Wayne Goodman read a few brief excerpts from his historical novel Borimir: Serving the Tsars that re-imagines gay romance in Imperial Russia. There’s lots of awkward flirting! This book is available for purchase on Amazon.

Maggie Levantovskaya read from her essay about a trip to Auschwitz concentration camp “To Conjure Up the Dead,” published in Michigan Quarterly Review. The bizarreness of Holocaust tourism with the post-Soviet twist. An excerpt from this essay appears online.

Dmitri Manin wore the T-shirt with Genrikh Sapgir’s poem on the back, and read to us his translations from Sapgir’s “Poems on Shirts” book. We have published three of these translations in an earlier post.

Masha Rumer shared an essay about exposing an unsuspecting date to the delights of pickled herring-and-boiled beet salad, aka “Seledka pod shuboj.” He lived long enough to propose. We’re hoping to read the follow up on this story in her upcoming book, Parenting with an Accent: An Immigrant’s Guide to Multicultural Parenting. More about Masha and her book in the Q&A she gave Punctured Lines.

Sasha Vasilyuk followed with an excerpt from her novel-in-progress about a Soviet prisoner of war. We will be following the development of this project closely.

Mary Jane White delighted us with her translations from Marina Tsvetaeva — her delivery of the “Ode to the Rich” landed particularly well with our audience. Mary Jane’s book of her own poetry and translations from Tsvetaeva Starry Sky to Starry Sky is available online. We will be following up with news of her upcoming book of translations from Tsvetaeva’s Berlin and Prague years, Poems of an Emigrant: After Russia, Poem of the Hill, Poem of the End, and New Year’s.

I read the opening of “Rubicon,” a short story from my collection Like Water and Other Stories.

Josie von Zitzewitz followed up on the thread of discussion about the lack of visibility of contemporary Russian literature in the United States, and introduced a project that she’s developing with Marian Schwartz and Hilah Cohen, soliciting work from young Russophone writers to create a feature publication in an American magazine (possibly more than one).

Joining us for the open mic portion of the show, we had Maxim Matusevich, a writer and a historian of USSR intersections with African countries. He delivered an excerpt from his hilarious short story about cultural encounters between American students going to study abroad in St. Petersburg.

Christopher Fort closed the evening with a poem that he read in both Uzbek and English, bringing our attention to a particular rhyming pattern of Turkic languages. We have previously linked to Christopher’s interview about translating Abdulhamid Sulaymon o’g’li Cho’lpon novel Night and Day. This novel is now available for purchase online.



Event Announcement: Participatory Reading for Projects in Post-Soviet Literature

When: Monday, November 25, 2019 at 6:30 PM – 9 PM
Where: Alley Cat Books, 3036 24th St, San Francisco, California 94110

This reading gathers together translators, writers, and scholars whose writing is connected, in various ways, with the literatures of the former Soviet Union.

We’re grateful to the Association for Slavic, East European, & Eurasian Studies that’s hosting its annual conference in San Francisco this year, which has allowed us to put this reading together with participants from across the United States.

A participatory reading means that, in addition to the announced readers, we’ll have a first come first served sign-up sheet for people who want to speak up and introduce their projects. We ask that each participant limits their reading or presentation to five minutes.

We’re delighted to have:
Olga Breininger with her book There Was No Adderall in the Soviet Union
Shelley Fairweather-Vega with A Life At Noon by Talasbek Asemkulov
Yelena Furman with her story “Naming” from Narrative Magazine
Wayne Goodman with an excerpt of his novel-in-progress Borimir: Serving the Tsars
James Kates with Aigerim Tazhi‘s poetry collection Paper-thin Skin
Maggie Levantovskaya with her essay “To Conjure Up the Dead” from Michigan Quarterly Review
Dmitri Manin with translations of Nikolay Zabolotsky‘s Stolbtsy
Masha Rumer with her book Parenting with an Accent: An Immigrant’s Guide to Multicultural Parenting
Sasha Vasilyuk, with her novel in progress about a Soviet prisoner of war
Mary Jane White with Marina Tsvetaeva translations
Olga Zilberbourg with stories from her collection Like Water and Other Stories
Josie von Zitzewitz introducing Russophone Literature by Young Writers


and more! Please reach out to puncturedlines [at] gmail.com if you want to be a part of this.

Event Announcement: Two Olgas and One Genrikh: Russian Poems, Stories, & Shirts

When: Saturday, November 9, 2019 at 7 PM – 10 PM EST
Where: Java’s Cafe, 16 Gibbs St, Rochester, New York 14604

Join us for a lively evening of stories, poems, and performance art by nonconformist writers from the former Soviet Union, in English.

Olga Livshin‘s book A LIFE REPLACED braids together poems on immigration in America with translations from Anna Akhmatova and our contemporary Vladimir Gandelsman, winner of Russia’s highest award for poetry, the Moscow Reckoning. Many poems are responses to these two voices; some are stand-alone works. Maggie Smith comments: “Livshin, who immigrated to the US from Russia as a child, acknowledges the two Americas she knows firsthand: the one that fears and demonizes, and the one that welcomes. A LIFE REPLACED is astonishingly beautiful, intelligent, and important.”

A graduate of Rochester Institute of Technology, Olga Zilberbourg will introduce her English-language short story collection LIKE WATER AND OTHER STORIES. “The thread connecting these tales,” Anna Kasradze writes for The Moscow Times (ed. Michele Berdy), “is each protagonist’s attempt to come to terms with an identity that is always in flux, transitioning between various contexts such as emigration, motherhood, partnership, and employment.” Olga is the author of three Russian-language books (the latest of which “Хлоп-страна,” Издательство Время, 2016). She has published fiction and essays in Alaska Quarterly Review, Scoundrel Time, Narrative Magazine, Lit Hub, Electric Literature, the San Francisco Chronicle, and elsewhere. She co-moderates the San Francisco Writers Workshop.

Opening for the two Olgas is a poetry performance by translator Dmitri Manin. Avant-garde sonnets by Genrikh Sapgir will be presented on shirts, worn by both Olgas and Dmitri. Sapgir (1928-1999), a hugely acclaimed poet in Russia, first presented his philosophical and funny Sonnets on Shirts–on actual men’s shirts–in 1975. His performance made a sensation amidst an atmosphere of official, staid, highly traditional, print-only Soviet literature. Manin revives his work and re-enacts it in English, using contemporary bodies and presences to channel Sapgir.

Java’s–a ten-minute walk or three-minute Lyft drive from the Floreano Convention Center–will have food and drink for us to regale us into the night with literature and pleasure.

NYC, October 30: Meet Jill! a bimonthly Women+ in Translation reading series

http://www.penandbrush.org/event/jill-reading

We love to see the growing momentum for the conversation about gender in translation. We particularly love to see how creative these initiatives have been.

A New York City group is starting up Jill!, a bimonthly Women+ in Translation reading series that spotlights women or nonbinary translators or translators of women or nonbinary authors (or both!).

The inaugural reading will take place this coming Wednesday, October 30th, at 7 pm. Location: Pen and Brush. 29 East 22nd street, New York, New York 10010.

The readers will be: Charlotte Whittle, reading work by the mid-century Argentinian avant-garde novelist and poet Norah Lange; Hilah Kohen, reading from a narrative poem by contemporary Russian author Lida Yusupova; and Larissa Kyzer, reading an excerpt from the novel A Fist or a Heart by Icelandic poet, playwright, and novelist Kristín Eiríksdóttir.

For more details and full bios, check out announcement on Pen and Brush’s website. RSVP on Facebook.