Olga Zilberbourg spoke with Jennifer Eremeeva about Like Water and Other Stories (WTAW Press) in a podcast for The New Books Network. It’s a fantastic interview, including about cultural misunderstandings, which starts with Olga reading the inventive and touching “Dandelion” from her collection. Listen to the conversation and follow Jennifer on Twitter @JWEremeeva – we do!
“A new generation of Russian emigres is blessed — or cursed — with the ease of long-haul flights and frequent flyer miles, Skype and FaceTime, Google translate, and regulations that seem anyway to be more forgiving about former citizens traveling to and fro. For them, the border has become far more porous than it ever was, and the choices are now more nuanced. However, there are still plenty of cultural minefields to navigate. To this generation that includes writers as disparate as Gary Shteyngart and Irina Reyn comes Olga Zilberbourg with a new collection of short stories, ‘Like Water and Other Stories.'”
A Q&A with Olga Zilberbourg in Epiphany Magazine about LIKE WATER AND OTHER STORIES (WTAW Press):
“As a writer, when I’m structuring a collection of stories, I make an assumption that, like me, my readers are interested in the human being who shows up most fully in the white spaces between one’s story ending and another’s beginning. From the information on the cover alone, my reader knows that I’m a woman, that I grew up in the Soviet Union, and that I live in the US and I write in English. So, yes, nearly automatically, my story is framed as an immigrant’s story. Then comes the interesting part.”
A recent review singing the richly deserved praises of our own Olga Zilberbourg’s debut English-language collection, LIKE WATER AND OTHER STORIES, out now:
“In an era of ‘short shorts’ hailed in by the venerable Lydia Davis—and culminating in ‘the fragmentary’ in the recent Nobel Prize-winning work of Olga Tokarczuk—one wonders if there remains space for a new collection of shorts: stories that up-end expectation and offer distinctive voice and lesser charted areas of exploration. San Francisco-based, Russian émigré writer Olga Zilberbourg, in her first story collection published in English, allays that concern. Zilberbourg is author of three Russian-language story collections; her fiction has been widely published in esteemed US literary journals; and she has won numerous prizes, including the Willesden Herald International Short Story Prize in 2016. A native of Leningrad, raised in St Petersburg, Zilberbourg moved to the US in 2006 to study at the Rochester Institute of Technology, later earning the MA in Comparative Literature at San Francisco State University.”