Embattled Homeland: Readings by Authors Born in Ukraine, Russia, and Moldova

Punctured Lines is happy to announce an in-person reading by seven women writers who emigrated from the former Soviet Union and now live in (or in one case, coming to visit) Los Angeles. This event follows the original Embattled Homeland reading during LitCrawl in San Francisco in 2022, with ex-Soviet immigrant writers living in the Bay Area. Like its San Francisco predecessor, the Los Angeles event is in support of Ukraine, which has been defending itself against Russia’s unprovoked attack for nearly a year. While the reading is free, we encourage people to donate to the vetted organizations below. Many thanks to Sasha Vasilyuk for organizing this event.

The reading will take place on Friday, January 20, 2023 at 7 pm at Stories Books & Cafe (1716 W. Sunset Blvd.). Please RSVP here.

Our performance is free, but please consider supporting these organizations:

Please read more about the writers below:

Julia Alekseyeva was born in Kyiv in the former USSR and emigrated to Chicago in childhood. She is an assistant professor of English at the University of Pennsylvania, as well as a graphic artist specializing in non-fiction comics. Her first full-length graphic novel, a nonfiction historical memoir entitled Soviet Daughter: A Graphic Revolution, was published by Microcosm in January 2017 and won the VLA Diversity Award. She has published non-fiction graphic essays in The Nib, Jewish Currents, Paper Brigade, World Literature Today, and Lilith, and was one of the guest editors of the Soviet Issue of Jewish Currents in Winter-Spring 2022. www.jalekseyeva.com and @thesoviette on socials

Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she immigrated to the U.S. in 1986. www.apekina.com

Inna Effress is a speechwriter, fiction writer, and poet who emigrated from Ukraine to the United States as a child. Her work appears in numerous publications, including CutBank, Air/Light Magazine, Santa Monica Review, Swan River Press’s Uncertainties series, and Strange Tales at 30 (Tartarus Press). Inna writes for grassroots organizations and leaders in California that are working to bring equitable outcomes to their communities. www.innaeffress.com / @InnaEffress on Twitter

Yelena Furman was born in what was then Kiev, the Soviet Union and is now Kyiv, Ukraine. She lives in Los Angeles and teaches Russian literature at UCLA. Her fiction has appeared in Narrative and the Willesden Herald, book reviews in the Los Angeles Review of Books and The Baffler, and academic articles in various venues. She and Olga Zilberbourg co-run Punctured Lines, a feminist blog on post-Soviet and diaspora literatures. Twitter @YelenaFurman

Rimma Kranet is a Ukrainian American writer with a Bachelor’s Degree in English from University of California Los Angeles. Her work has appeared in Across The Margin, Brilliant Flash Fiction, Construction Lit, EcoTheo Collective, Fence, The Common Breath, Door Is A Jar Magazine, and others. Featured in The Short Vigorous Roots: A Contemporary Flash Fiction Collection of Migrant Voices and the IHRAF Ukrainian Voices Anthology. She resides between Florence, Italy and Los Angeles, California. Twitter @ RKranet

Ruth Madievsky is the author of a debut novel, All-Night Pharmacy (Catapult, 2023) and a poetry collection, “Emergency Brake” (Tavern Books, 2016). Her work appears in The Atlantic, The Los Angeles Times, Harper’s Bazaar, Tin House, and elsewhere. She is a founding member of the Cheburashka Collective, a community of women and nonbinary writers whose identity has been shaped by immigration from the Soviet Union to the United States. Originally from Moldova, she lives in Los Angeles, where she works as an HIV and primary care pharmacist. www.ruthmadievsky.com / @ruthmadievsky on socials.

Sasha Vasilyuk is a journalist and author of the novel Your Presence Is Mandatory, set between Hitler’s Germany and post-war Ukraine. It will be published in the U.S., Canada, France, Germany, Italy, Finland and Brazil in 2024. Sasha’s writing has been published in The New York Times, TIME, NBC, Harper’s Bazaar, BBC Radio, USA Today, The Telegraph, Los Angeles Times, and Narrative. Sasha grew up between Crimea, Moscow, and San Francisco. She currently lives in San Francisco with her husband and children. www.sashavasilyuk.com / @sashavasilyuk on socials

Books for Review, 2022

Punctured Lines is looking for reviews of the following recent and upcoming titles. Reviewers should have some expertise in terms of their chosen work, engaging substantively with its themes, structure, and techniques and using direct citation to back up claims. Each piece we receive for review undergoes a rigorous editing process, and we will provide potential reviewers with the guidelines. If you are interested in reviewing a work not on the list but that fits our overall themes of feminism, LGBT, diaspora, decolonialism, etc., please let us know. Thank you, and we look forward to working with you. Email us at PuncturedLines [at] gmail [dot] com.

We especially welcome reviews of Ukrainian titles.

Fiction:

Alina Adams, My Mother’s Secret: A Novel of the Jewish Autonomous Region (History Through Fiction, 2022)***

Mark Andryczyk, editor, Writing from Ukraine: Fiction, Poetry and Essays since 1965 (Penguin, 2022)***

Claude Anet, Ariane, A Young Russian Girl, translated by Mitchell Abidor (NYRB, 2023)

Ivan Baidak, (In)visible (Guernica World Editions, 2022)

Zaure Batayeva and Shelley Fairweather-Vega, editors and translators, Amanat: Women’s Writing from Kazakhstan (Gaudy Boy, 2022)***

Yevgenia Belorusets, Lucky Breaks, translated by Eugene Ostashevsky (New Directions, 2022)***

Darya Bobyleva, The Village at the Edge of Noon, translated by Ilona Chavasse (Angry Robot, 2023)

Liliana Corobca, The Censor’s Notebook, translated by Monica Cure (Seven Stories Press, 2022)

Tetyana Denford, The Child of Ukraine (Bookouture, 2022)

Tamara Duda, Daughter, translated by Daisy Gibbons (Mosaic Press, 2022)

Alisa Ganieva, Offended Sensibilities, translated by Carol Apollonio (Deep Vellum, 2022)

Alla Gorbunova, It’s the End of the World, My Love, translated by Elina Alter (Deep Vellum, 2022)

Kristina Gorcheva-Newberry, What Isn’t Remembered (The University of Nebraska Press, 2021) and The Orchard (Ballantine Books, 2022)

Elena Gorokhova, A Train to Moscow (Lake Union Publishing, 2022)

Maylis de Kerangal, Eastbound, translated by Jessica Moore (Archipelago, 2023)

Vénus Khoury-Ghata, Marina Tsvetaeva, translated by Teresa Lavender Fagan (Seagull Books, 2022)

Ali Kinsella, Zenia Tompkins, and Ross Ufberg, editors, Love in Defiance of Pain: Ukrainian Stories (Deep Vellum, 2022)

Lana Kortchik, The Countess of the Revolution (HQ Digital, 2023)

Mary Kuryla, Away to Stay (Regal House Publishing, 2022)

Maja Lunde, The Last Wild Horses, translated by Diane Oatley (HarperVia, 2023)

Ruth Madievsky, All-Night Pharmacy (Catapult, 2023)***

Rae Meadows, Winterland (Henry Holt and Co, 2022)

Nataliya Meshchaninova, Stories of a Life, translated by Fiona Bell (Deep Vellum, 2022)

Irène Némirovsky, Master of Souls, translated by Sandra Smith (Kales Press, 2022)

Ludmilla Petrushevskaya, Kidnapped: A Story in Crimes, translated by Marian Schwartz (Deep Vellum 2023)***

Natasha Pulley, The Half Life of Valery K (Bloomsbury, 2022)

Gabriella Saab, Daughters of Victory (William Morrow, 2023)

Zanna Sloniowska, The House with the Stained-Glass Window, translated by Antonia Lloyd-Jones (Quercus Publishing, 2022)

Zhanna Slor, At the End of the World, Turn Left (Agora Books, 2021)

Yana Vagner, To the Lake, translated by Maria Wiltshire (Deep Vellum, 2023)

Yuliya Yakovleva, Punishment of a Hunter, translated by Ruth Ahmedzai Kemp (Pushkin Vertigo, 2021)***

Kira Yarmysh, The Incredible Events in Women’s Cell Number 3, translated by Arch Tait (Grove Press, 2023)***

Nonfiction:

Rustam Alexander, Red Closet: The Untold Story of Gay Oppression in the USSR (Manchester UP, 2023)***

Charlotte Arpadi Baum, Hate Vanquished, Lives Remembered: A Survivor’s Story (Library of the Holocaust, 2022)

Victoria Belim, The Rooster House: My Ukrainian Family Story (Abrams Press, 2023)

Paula J. Birnbaum, Sculpting a Life: Chana Orloff between Paris and Tel Aviv (Brandeis UP, 2023)

Rosalind P. Blakesley, Women Artists in the Reign of Catherine the Great (Lund Humphries, 2023)

Lisa Brahin, Tears Over Russia: A Search for Family and the Legacy of Ukraine’s Pogroms (Pegasus Books, 2022)

Judith Chazin-Bennahum, Ida Rubinstein: Revolutionary Dancer, Actress, and Impresario (SUNY Press, 2022)

Donna Chmara, Surviving Genocide: Personal Recollections (Winged Hussar Publishing, 2022)

Verena Dohrn, The Kahans from Baku: A Family Saga (Academic Studies Press, 2022)

Suzanna Eibuszyc, Memory Is Our Home: Loss and Remembering: Three generations in Poland and Russia 1917-1960s (ibidem Press, 2022)

Inna Faliks, Weight in the Fingertips (Backbeat 2023)

Maksim Goldenshteyn, So They Remember: A Jewish Family’s Story of Surviving the Holocaust in Soviet Ukraine (OUP, 2021)

Lars Horn, Voice of the Fish (Graywolf Press, 2022)

Marina Jarre, Return to Latvia, translated by Ann Goldstein (New Vessel Press, 2023)***

Andrew D. Kaufman, The Gambler Wife: A True Story of Love, Risk, and the Woman Who Saved Dostoyevsky (Riverhead Books, 2021)

Olesya Khromeychuk, A Loss: The Story of a Dead Soldier Told by His Sister (Columbia UP, 2021)***

Naira Kuzmich, In Everything I See Your Hand (University of New Orleans Press, 2022)

Risa Levitt, Memory Identity Encounter: Ukrainian Jewish Journey (Hirmer Publishers, 2023)

Katrina Maloney and Patricia M. Maloney (editors), Dearest Ones at Home and With A Heart Full of Love: Clara Taylor’s Letters from Russia (She Writes Press, 2014 and 2022)

Oksana Masters, The Hard Parts: A Memoir of Courage and Triumph, with contributions by Cassidy Randall (Scribner, 2023)

Shane O’Rourke, Grand Duchess Elena Pavlovna, Princess Isabel and the Ending of Servile Labour in Russia and Brazil (Anthem Press, 2023)

Sara Raza, Punk Orientalism: The Art of Rebellion (Black Dog Press, 2022)***

Natasha Lance Rogoff, Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman & Littlefield Publishers, 2022)***

Sofia Samatar, The White Mosque (Catapult, 2022)

Samira Saramo, Building That Bright Future: Soviet Karelia in the Life Writing of Finnish North Americans (University of Toronto Press, 2022)

Mary Seacole, The Wonderful Adventures of Mrs. Seacole in Many Lands (HarperPress, 2022)

Yeva Skalietska, You Don’t Know What War Is: The Diary of a Young Girl from Ukraine (Union Square & Co, 2022)***

Iroida Wynnyckyj, compiler and editor, The Extraordinary Lives of Ukrainian-Canadian Women: Oral Histories of the Twentieth Century (University of Alberta Press, 2022)

Poetry:

Polina Barskova, editor, Verses on the Vanguard: Poetry & Dialogue from Contemporary Russia (Deep Vellum Publishing, 2021)***

Natalka Bilotserkivets, Eccentric Days of Hope and Sorrow, translated by Ali Kinsella and Dzvinia Orlowsky (Lost Horse Press, 2021)

Julia Cimafiejeva, Motherfield: Poems & Belarusian Protest Diary, translated by Valzhyna Mort and Hanif Abdurraqib (Phoneme Media, 2022)

Sarah Coolidge, editor, This Is Us Losing Count: Eight Russian Poets (Two Lines Press, 2022)***

Boris Dralyuk, My Hollywood & Other Poems (Paul Dry Books, 2022)

Annie Finch, coordinator, An Exaltation of Goddesses, includes a long poem by Anna Halberstadt (Poetry Witch Press, 2021)

Zuzanna Ginczanka, Firebird, translated by Alissa Valles (NYRB Poets, 2022)

Ostap Kin and John Hennessy, editors, Babyn Yar: Ukranian Poets Respond (Harvard Library of Ukrainian Literature, 2023)

Ludmila and Boris Khersonsky, The Country Where Everyone’s Name Is Fear, translated by Katie Farris and Ilya Kaminsky (Lost Horse Press, 2022)

Marianna Kiyanovska, The Voices of Babyn Yar, translated by Oksana Maksymchuk and Max Rosochinsky (Harvard Library of Ukrainian Literature, 2022)***

Mikhail Kuzmin, New Hull, translated by Simona Schneider (Ugly Duckling Presse, 2022)

Irina Mashinski, The Naked World (MadHat Press, 2022)

Ksenia Rychtycka, A Sky Full of Wings (Finishing Line Press, 2021)

Maria Stepanova, The Voice Over: Poems and Essays, edited by Irina Shevelenko (Columbia UP, 2021)***

Marina Tsvetaeva, After Life, translated by Mary Jane White (Adelaide Books, 2021)

Lyuba Yakimchuk, Apricots of Donbas, translated by Oksana Maksymchuk, Max Rosochinsky, and Svetlana Lavochkina (Lost Horse Press, 2021)

Scholarship:

Anna Aydinyan, Formalists against Imperialism: The Death of Vazir-Mukhtar and Russian Orientalism (University of Toronto Press, 2022)

Katerina Capková and Kamil Kijek, editors, Jewish Lives Under Communism: New Perspectives (Rutgers UP, 2022)

Diana Cucuz, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2022)***

David Featherstone and Christian Høgsbjerg, editors, The Red and the Black: The Russian Revolution and the Black Atlantic (Racism, Resistance and Social Change) (Manchester UP, 2021)

Claire P. Kaiser, Georgian and Soviet: Entitled Nationhood and the Specter of Stalin in the Caucasus (Cornell UP, 2023)

Peter J. Kalliney, The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022)

Katya Hokanson, A Woman’s Empire: Russian Women and Imperial Expansion in Asia (University of Toronto Press, 2023)

Alessandro Iandolo, Arrested Development: The Soviet Union in Ghana, Guinea, and Mali, 1955-1968 (Cornell UP, 2022)

Krista G. Goff, Nested Nationalism: Making and Unmaking Nations in the Soviet Caucasus (Cornell UP, 2021)

Marina Mogilner, A Race for the Future: Scientific Visions of Modern Russian Jewishness (Harvard UP, 2022)

Sasha Senderovich, How the Soviet Jew Was Made (Harvard UP, 2022)

Tricia Starks, Cigarettes and Soviets: Smoking in the USSR (Northern Illinois UP, 2022)

Kristina Stoeckl, Dmitry Uzlaner, The Moralist International: Russia in the Global Culture Wars (Fordham UP, 2022)

Oleksandra Tarkhanova, Compulsory Motherhood, Paternalistic State?: Ukrainian Gender Politics and the Subject of Woman (Palgrave Macmillan, 2022)

Natalia Telepneva, Cold War Liberation: The Soviet Union and the Collapse of the Portuguese Empire in Africa, 1961-1975 (University of North Carolina Press, 2022)

Hélène Thibault and Jean-François Caron, editors, Uyat and the Culture of Shame in Central Asia, (Palgrave Macmillan, 2022)

Stephen Velychenko, Joseph Ruane, and Ludmilla Hrynevych, editors, Ireland and Ukraine: Studies in Comparative Imperial and National History (ibidem Press, 2022)

*** Indicates a reviewer has expressed interest in the book.

Soviet Diaspora Poetry Reading by the Cheburashka Collective

We love seeing creative artists adjust to the current time. Being on the West Coast, I have often regretted not having access to the literary events that take place on the East Coast (to speak nothing of events in Russia proper.) Here comes the recording of the Cheburashka Collective reading recorded on April 1st, 2020 on Zoom, via Kelly Writers House at the University of Pennsylvania.

Virtual Happy Hour of writers with the former Soviet Union connection

This week AWP, or Association of Writers and Writing Programs, is holding its annual conference in San Antonio, TX. Many of the attendees, however, have opted to stay home due to the increased risk of the corona virus outbreak. An important component of this conference is a massive book fair, at which hundreds of independent presses and literary journals sell their stock. To compensate for the losses of this already financially strained community, people are organizing several initiatives.

First of all, there’s #AWPVirtualBookfair Twitter hashtag, under which you will find links to lots of publishers who are offering significant discounts of their stock. Trevor Ketner started the #AWPVirtualBookfair Google Doc, where you can find a comprehensive list of participating publishers, and Natalie Eilbert creating the AWP Virtual Bookfair for Authors Doc. Justin Greene created a handy list of publishers on Entropy, that includes the discount codes. Point being: the best way to support literary arts and independent publishing is to buy our books.

One of my plans for this conference was to co-host a happy hour for writers and translators working on material related to the former Soviet Union. Unfortunately, both my co-host Olga Livshin and I decided to cancel, as did most of the people we hoped would take part. I envisioned that this happy hour would help us, in part, to build a sense of community and help us brainstorm ways in which we can support each other’s work. So, in that spirit, here is an image gallery followed by a list of these titles with links, where you can buy the books.

Gala Mukomolova, Without Protection, from Coffee House Press

Irina Reyn, Mother Country, from St. Martin’s Publishing Group

Julia Kolchinsky Dasbach, Don’t Touch the Bones, from Lost Horse Press

Olga Livshin, A Life Replaced, from Poets & Traitors Press

Olga Zilberbourg, Like Water and Other Stories, from WTAW Press

Katherine E. Young, Day of the Border Guards, The University of Arkansas Press

Larissa Shmailo, Sly Bang, from Spuyten Duyvil

Marina Blitshteyn, Two Hunters, from Argos Press

Mariya Deykute, her website

Mary Jane White, Starry Sky to Starry Sky, from Holy Cow! press

Ruth Madievsky, Emergency Brake, from Tavern Press

Valzhyna Mort, Music for the Dead and Resurrected, from FSG

* If you don’t see a book that you wish to be included, please leave a comment!