Books for Review, 2022

Punctured Lines is looking for reviews of the following recent and upcoming titles. Reviewers should have some expertise in terms of their chosen work, engaging substantively with its themes, structure, and techniques and using direct citation to back up claims. Each piece we receive for review undergoes a rigorous editing process, and we will provide potential reviewers with the guidelines. If you are interested in reviewing a work not on the list but that fits our overall themes of feminism, LGBT, diaspora, decolonialism, etc., please let us know. Thank you, and we look forward to working with you. Email us at PuncturedLines [at] gmail [dot] com.

We especially welcome reviews of Ukrainian titles.

Fiction:

Alina Adams, My Mother’s Secret: A Novel of the Jewish Autonomous Region (History Through Fiction, 2022)***

Mark Andryczyk, editor, Writing from Ukraine: Fiction, Poetry and Essays since 1965 (Penguin, 2022)***

Claude Anet, Ariane, A Young Russian Girl, translated by Mitchell Abidor (NYRB, 2023)

Ivan Baidak, (In)visible (Guernica World Editions, 2022)

Zaure Batayeva and Shelley Fairweather-Vega, editors and translators, Amanat: Women’s Writing from Kazakhstan (Gaudy Boy, 2022)***

Yevgenia Belorusets, Lucky Breaks, translated by Eugene Ostashevsky (New Directions, 2022)***

Darya Bobyleva, The Village at the Edge of Noon, translated by Ilona Chavasse (Angry Robot, 2023)

Liliana Corobca, The Censor’s Notebook, translated by Monica Cure (Seven Stories Press, 2022)

Tetyana Denford, The Child of Ukraine (Bookouture, 2022)

Tamara Duda, Daughter, translated by Daisy Gibbons (Mosaic Press, 2022)

Alisa Ganieva, Offended Sensibilities, translated by Carol Apollonio (Deep Vellum, 2022)

Alla Gorbunova, It’s the End of the World, My Love, translated by Elina Alter (Deep Vellum, 2022)

Kristina Gorcheva-Newberry, What Isn’t Remembered (The University of Nebraska Press, 2021) and The Orchard (Ballantine Books, 2022)

Elena Gorokhova, A Train to Moscow (Lake Union Publishing, 2022)

Maylis de Kerangal, Eastbound, translated by Jessica Moore (Archipelago, 2023)

Vénus Khoury-Ghata, Marina Tsvetaeva, translated by Teresa Lavender Fagan (Seagull Books, 2022)

Ali Kinsella, Zenia Tompkins, and Ross Ufberg, editors, Love in Defiance of Pain: Ukrainian Stories (Deep Vellum, 2022)

Lana Kortchik, The Countess of the Revolution (HQ Digital, 2023)

Mary Kuryla, Away to Stay (Regal House Publishing, 2022)

Maja Lunde, The Last Wild Horses, translated by Diane Oatley (HarperVia, 2023)

Ruth Madievsky, All-Night Pharmacy (Catapult, 2023)***

Rae Meadows, Winterland (Henry Holt and Co, 2022)

Nataliya Meshchaninova, Stories of a Life, translated by Fiona Bell (Deep Vellum, 2022)

Irène Némirovsky, Master of Souls, translated by Sandra Smith (Kales Press, 2022)

Ludmilla Petrushevskaya, Kidnapped: A Story in Crimes, translated by Marian Schwartz (Deep Vellum 2023)***

Natasha Pulley, The Half Life of Valery K (Bloomsbury, 2022)

Gabriella Saab, Daughters of Victory (William Morrow, 2023)

Zanna Sloniowska, The House with the Stained-Glass Window, translated by Antonia Lloyd-Jones (Quercus Publishing, 2022)

Zhanna Slor, At the End of the World, Turn Left (Agora Books, 2021)

Yana Vagner, To the Lake, translated by Maria Wiltshire (Deep Vellum, 2023)

Yuliya Yakovleva, Punishment of a Hunter, translated by Ruth Ahmedzai Kemp (Pushkin Vertigo, 2021)***

Kira Yarmysh, The Incredible Events in Women’s Cell Number 3, translated by Arch Tait (Grove Press, 2023)***

Nonfiction:

Rustam Alexander, Red Closet: The Untold Story of Gay Oppression in the USSR (Manchester UP, 2023)***

Charlotte Arpadi Baum, Hate Vanquished, Lives Remembered: A Survivor’s Story (Library of the Holocaust, 2022)

Victoria Belim, The Rooster House: My Ukrainian Family Story (Abrams Press, 2023)

Paula J. Birnbaum, Sculpting a Life: Chana Orloff between Paris and Tel Aviv (Brandeis UP, 2023)

Rosalind P. Blakesley, Women Artists in the Reign of Catherine the Great (Lund Humphries, 2023)

Lisa Brahin, Tears Over Russia: A Search for Family and the Legacy of Ukraine’s Pogroms (Pegasus Books, 2022)

Judith Chazin-Bennahum, Ida Rubinstein: Revolutionary Dancer, Actress, and Impresario (SUNY Press, 2022)

Donna Chmara, Surviving Genocide: Personal Recollections (Winged Hussar Publishing, 2022)

Verena Dohrn, The Kahans from Baku: A Family Saga (Academic Studies Press, 2022)

Suzanna Eibuszyc, Memory Is Our Home: Loss and Remembering: Three generations in Poland and Russia 1917-1960s (ibidem Press, 2022)

Inna Faliks, Weight in the Fingertips (Backbeat 2023)

Maksim Goldenshteyn, So They Remember: A Jewish Family’s Story of Surviving the Holocaust in Soviet Ukraine (OUP, 2021)

Lars Horn, Voice of the Fish (Graywolf Press, 2022)

Marina Jarre, Return to Latvia, translated by Ann Goldstein (New Vessel Press, 2023)***

Andrew D. Kaufman, The Gambler Wife: A True Story of Love, Risk, and the Woman Who Saved Dostoyevsky (Riverhead Books, 2021)

Olesya Khromeychuk, A Loss: The Story of a Dead Soldier Told by His Sister (Columbia UP, 2021)***

Naira Kuzmich, In Everything I See Your Hand (University of New Orleans Press, 2022)

Risa Levitt, Memory Identity Encounter: Ukrainian Jewish Journey (Hirmer Publishers, 2023)

Katrina Maloney and Patricia M. Maloney (editors), Dearest Ones at Home and With A Heart Full of Love: Clara Taylor’s Letters from Russia (She Writes Press, 2014 and 2022)

Oksana Masters, The Hard Parts: A Memoir of Courage and Triumph, with contributions by Cassidy Randall (Scribner, 2023)

Shane O’Rourke, Grand Duchess Elena Pavlovna, Princess Isabel and the Ending of Servile Labour in Russia and Brazil (Anthem Press, 2023)

Sara Raza, Punk Orientalism: The Art of Rebellion (Black Dog Press, 2022)***

Natasha Lance Rogoff, Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman & Littlefield Publishers, 2022)***

Sofia Samatar, The White Mosque (Catapult, 2022)

Samira Saramo, Building That Bright Future: Soviet Karelia in the Life Writing of Finnish North Americans (University of Toronto Press, 2022)

Mary Seacole, The Wonderful Adventures of Mrs. Seacole in Many Lands (HarperPress, 2022)

Yeva Skalietska, You Don’t Know What War Is: The Diary of a Young Girl from Ukraine (Union Square & Co, 2022)***

Iroida Wynnyckyj, compiler and editor, The Extraordinary Lives of Ukrainian-Canadian Women: Oral Histories of the Twentieth Century (University of Alberta Press, 2022)

Poetry:

Polina Barskova, editor, Verses on the Vanguard: Poetry & Dialogue from Contemporary Russia (Deep Vellum Publishing, 2021)***

Natalka Bilotserkivets, Eccentric Days of Hope and Sorrow, translated by Ali Kinsella and Dzvinia Orlowsky (Lost Horse Press, 2021)

Julia Cimafiejeva, Motherfield: Poems & Belarusian Protest Diary, translated by Valzhyna Mort and Hanif Abdurraqib (Phoneme Media, 2022)

Sarah Coolidge, editor, This Is Us Losing Count: Eight Russian Poets (Two Lines Press, 2022)***

Boris Dralyuk, My Hollywood & Other Poems (Paul Dry Books, 2022)

Annie Finch, coordinator, An Exaltation of Goddesses, includes a long poem by Anna Halberstadt (Poetry Witch Press, 2021)

Zuzanna Ginczanka, Firebird, translated by Alissa Valles (NYRB Poets, 2022)

Ostap Kin and John Hennessy, editors, Babyn Yar: Ukranian Poets Respond (Harvard Library of Ukrainian Literature, 2023)

Ludmila and Boris Khersonsky, The Country Where Everyone’s Name Is Fear, translated by Katie Farris and Ilya Kaminsky (Lost Horse Press, 2022)

Marianna Kiyanovska, The Voices of Babyn Yar, translated by Oksana Maksymchuk and Max Rosochinsky (Harvard Library of Ukrainian Literature, 2022)***

Mikhail Kuzmin, New Hull, translated by Simona Schneider (Ugly Duckling Presse, 2022)

Irina Mashinski, The Naked World (MadHat Press, 2022)

Ksenia Rychtycka, A Sky Full of Wings (Finishing Line Press, 2021)

Maria Stepanova, The Voice Over: Poems and Essays, edited by Irina Shevelenko (Columbia UP, 2021)***

Marina Tsvetaeva, After Life, translated by Mary Jane White (Adelaide Books, 2021)

Lyuba Yakimchuk, Apricots of Donbas, translated by Oksana Maksymchuk, Max Rosochinsky, and Svetlana Lavochkina (Lost Horse Press, 2021)

Scholarship:

Anna Aydinyan, Formalists against Imperialism: The Death of Vazir-Mukhtar and Russian Orientalism (University of Toronto Press, 2022)

Katerina Capková and Kamil Kijek, editors, Jewish Lives Under Communism: New Perspectives (Rutgers UP, 2022)

Diana Cucuz, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2022)***

David Featherstone and Christian Høgsbjerg, editors, The Red and the Black: The Russian Revolution and the Black Atlantic (Racism, Resistance and Social Change) (Manchester UP, 2021)

Claire P. Kaiser, Georgian and Soviet: Entitled Nationhood and the Specter of Stalin in the Caucasus (Cornell UP, 2023)

Peter J. Kalliney, The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022)

Katya Hokanson, A Woman’s Empire: Russian Women and Imperial Expansion in Asia (University of Toronto Press, 2023)

Alessandro Iandolo, Arrested Development: The Soviet Union in Ghana, Guinea, and Mali, 1955-1968 (Cornell UP, 2022)

Krista G. Goff, Nested Nationalism: Making and Unmaking Nations in the Soviet Caucasus (Cornell UP, 2021)

Marina Mogilner, A Race for the Future: Scientific Visions of Modern Russian Jewishness (Harvard UP, 2022)

Sasha Senderovich, How the Soviet Jew Was Made (Harvard UP, 2022)

Tricia Starks, Cigarettes and Soviets: Smoking in the USSR (Northern Illinois UP, 2022)

Kristina Stoeckl, Dmitry Uzlaner, The Moralist International: Russia in the Global Culture Wars (Fordham UP, 2022)

Oleksandra Tarkhanova, Compulsory Motherhood, Paternalistic State?: Ukrainian Gender Politics and the Subject of Woman (Palgrave Macmillan, 2022)

Natalia Telepneva, Cold War Liberation: The Soviet Union and the Collapse of the Portuguese Empire in Africa, 1961-1975 (University of North Carolina Press, 2022)

Hélène Thibault and Jean-François Caron, editors, Uyat and the Culture of Shame in Central Asia, (Palgrave Macmillan, 2022)

Stephen Velychenko, Joseph Ruane, and Ludmilla Hrynevych, editors, Ireland and Ukraine: Studies in Comparative Imperial and National History (ibidem Press, 2022)

*** Indicates a reviewer has expressed interest in the book.

Ukraine Fundraiser and Reading in Philadelphia by the Cheburashka Collective on March 24

Our friends The Cheburashki, “a growing collective of women & nonbinary writers who are emigres/refugees/first-generation from countries that were once a part of the Eastern bloc,” are hosting a reading in Philadelphia next week. Here’s a great place to find some camaraderie in this time of war and donate money for Ukrainian refugees.

This event is happening in conjunction with AWP, a poets and writers conference that will include several important events with USSR diaspora writers. We made a list.

Here’s their flyer and details of the event:

Details:

Poems and Stories by the Cheburashka Collective

March 24, 6-8 pm

Slought
4017 Walnut St
Philadelphia, PA 19104

Going to AWP22? Panels not to miss!

Annual conference of the Association of Writers and Writing Programs is coming up March 23-26, and will be held in Philadelphia as well as online. The conference will include a number of events featuring writers that we follow, writers with a connection to the former Soviet Union and diaspora spaces. Take a look at our list, and please note that some of these will be in-person, while others are virtual.

T119. Publishing Your First Story Collection (Kristina Gorcheva-Newberry, Matthew Lansburgh, Caroline Kim, Rachel Swearingen, Jen Fawkes)

Finding a publisher for a collection of short stories continues to be a daunting task. Five prize-winning authors lead a discussion detailing their journeys to publishing their first books. They will talk about how they landed their first publications, how they developed and shaped their short story collections, how they began to look for publishers, and other related topics such as submitting fiction to journals and national contests, querying agents, and overcoming rejection.

T145. Artist & Scholar: What to Expect & How to Thrive in a Creative Writing PhD (Tatiana Duvanova, Afua -Rachel- Ansong, Jerriod Avant, Sue Y. Kim)

PhD programs require artists to deftly navigate academia in ways that are distinct from MFA programs. Panelists will share what aspects of the PhD experience can aid the creative process and prepare candidates for post-PhD careers. Topics include how to utilize critical research—such as course work and comprehensive exams—to build a creative bank, how to establish a committee, and how to fashion an inspiring writing community while fulfilling the challenging requirements of a PhD program.

T177. Re-Presenting the Past: Poets Writing the Holocaust Toward a Humane Future (Maya Pindyck, Julia Kolchinsky Dasbach, Elana Bell, Luisa Muradyan, Alicia Ostriker)

What can writing poetry about the intergenerational trauma of the Holocaust do to address white supremacy? How can Jewish poets—specifically mothers—rewrite a narrative of exceptionalism for future generations while staying true to the particularities of Holocaust trauma? This panel takes up these questions through the voices of five poets, all mothers, whose writing explores intersections of Jewish trauma, inheritance, motherhood, and poetry’s capacities for antiracist work.

T184. L’Chaim! Celebrating Jewish Poetry in the Third Millennium (Matthew Silverman, Nancy Naomi Carlson, Ilya Kaminsky, Joy Ladin, Zilka Joseph)

What is a “Jewish poem”? Come find out as we read from 101 Jewish Poems for the Third Millennium, a new anthology, featuring voices that range from emerging to established, both Jewish and non-Jewish, as well as several translations. The themes range from observing Jewish traditions to more modern ones, such as same-sex marriage and nonfaith. With the rise in anti-Semitism and other hate crimes in this country, it is more important now than ever before to celebrate diversity.

F127. Admit It, You’re Writing a Poem: Ars Poetica & the Awkward Confession (Chloe Martinez, Julia Kolchinsky Dasbach, Diamond Forde, Rachel Zucker, Matthew Olzmann)

An ars poetica is a poem about poetry, one that makes an argument about what poetry should be or that explores why we write. In writing an ars poetica, though, poets must also confess to craft, artifice, and intention—to this strange thing we’re doing, making art out of life. What else comes out when we pull back the curtain on our own making? What does this form give us permission to say? Panelists will read and discuss both their own work and key examples by others; audience Q&A will follow.

F142. Writing Resilience: A Reading by Neurodiverse Writers (Larissa Shmailo, Jonathan Penton, Meg Tuite, Anna Fridlis, Sandra Kleven)

This reading features writers affected by trauma, addiction, and/or mental illness. Panelists will present their stories to empower themselves and others who have these stigmatized disabilities. Panelists will come out as neurodiverse as they inspire their listeners with their literary memoirs; audience members, including the neurotypical, will be able to identify with their struggles, triumphs, and resilience. The panel will demonstrate that mentally ill does not mean mentally weak.

F207. Translingual Philadelphia: A Reading by the Transversal Translation Collective (Elizabeth Rose, Hilah Kohen, Nicholas Glastonbury , Meg Arenberg, Carlos José Pérez Sámano )

Transversal is a translation collective formed during the pandemic to give translators in the Philadelphia area and across the world a virtual place to form connections, build accountability, and share work and resources. A diverse assemblage of language pairs, backgrounds, and abilities, Transversal has quickly become an important gathering space for many. Five translators from the collective will contextualize their work, share insights into translator solidarity, and give a bilingual reading.

F208. Expanding the Fictional Terrain: Four Writers, Four Collections, Four Awards (Kristina Gorcheva-Newberry, Caroline Kim, Michael X- Wang, Rachel Swearingen)

From social realism to speculative fiction, from American tales to immigrant lit, from heterosexual narratives to LGBTQ stories—Caroline Kim (the 2020 Drue Heinz Literature Prize), Michael X. Wang (the 2021 PEN/Robert W. Bingham Prize), Rachel Swearingen (the 2018 New American Fiction Prize), and Kristina Gorcheva-Newberry (the 2020 Raz/Shumaker Prairie Schooner Book Prize in Fiction) will read from their award-winning collections on themes of love, loss, and cultural identity.

S112. What Kind of Times Are These?: Immigrant Poets & the New Politics of Resistance (Olga Livshin, Mariya Deykute, Lana Spendl, Larissa Shmailo, Anna Halberstadt)

Adrienne Rich writes: “I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled / this isn’t a Russian poem, this is not somewhere else but here.” This panel is about English language poets from Eastern Europe writing about the parallels between their homes and the US: nationalism, nativism, homophobia, and human rights abuses. We discuss new strategies of resistance for more than one culture and explore how poets co-opt the language of oppressors for their own power.

S159. The Art of Pitching Nonfiction: How to Sell Your Essays, Reporting, & More (Caleb Johnson, Irina Zhorov, Jenny Tinghui Zhang, Latria Graham)

The first impression a writer makes on an editor happens in the pitch. But what exactly does a successful pitch look like? How long should one even be? What elements should a pitch contain in order to get that coveted assignment? Four writers with experience publishing reportage, essays, profiles, and other nonfiction discuss how to grab an editor’s attention with a pitch that tells a compelling story and how to pivot if a pitch gets turned down.

S161. The Lyric Field: The State of Indie Poetry Publishing Now & in the Future (Marc Vincenz, Dennis Maloney, Matvei Yankelevich, Peter Conners)

Established indie publishers White Pine Press, Ugly Duckling Press, MadHat Press, and BOA Editions discuss the ins and outs of the current sphere of independent poetry publishing. Topics willl include the manuscript selection process (including contests and open submissions), layout and design, PR, marketing, distribution, reviews, the real economics of running a successful poetry press, current trends and waves, technology, and the future.

S177. Deep Vellum Presents: First- & Second-Generation Immigrant Writers (Sebastián Páramo, Fowzia Karimi, Sophia Terazawa, Taisia Kitaiskaia, Mike Soto)

In 2020, Deep Vellum, a press with its origins in publishing works in translation, made the decision to publish stateside authors. By happenstance, many of the debut authors were children of immigrants. Panelists discuss their work and what it means to be American authors publishing alongside works in translation.

Got more? Share them in the comments. And if you attend and want to share your impressions, please send your notes and pictures to puncturedlines [at] gmail.com.